I had no idea how noisy geese really were until they came down to visit our canal on saturday morning. They made a huge racket and demanded attention from all the canal houses and houseboats. To see them up close and personal – right at eye level – was quite something…

Standing in the depth of the forest is one of the most magnificent “I’m alive” moments to be had. Being amidst the trees, the birds, the insects, the soil, the air… it always sends a tingle up my spine. My racing mind stops. And my heart fills with light, and life. It is so real yet so magical.

Would you like to take a moment with me today, and stand right in the middle of the rainforest? We can stand in one place and look around to see what we might see, and hear what we might hear. We can pretend we live in a treehouse, high up in the branches.

Please click on the play button to listen while you scroll through the photos below to be whisked away to the depths of the rainforest with me. Enjoy…

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Have a wonderful weekend mes amis.

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+ soundscape and photographs taken on a walk through Lamginton National Park in Queensland, Australia, January 2010.

+click here for more soundscapes.

all gorgeous photographs for this story  by chris chen.

Before I hopped on the plane back to Amsterdam, I grabbed the latest issue of country style at sydney airport for two reasons. 1. because I’ve always loved this mag (the photography is perfection, and they often feature the homes of country artists whose style is natural,  real and inspiring) and 2. because a little birdy told me that the feature article would make my heart sing. Indeed it DID make my heart sing because it is all about Harriet Goodall, her home & property in Robertson NSW, and her incredible woven creations…

Harriet’s story about how she came to be weaving baskets is as beautiful as her creations themselves. She says she has always been drawn “to the ephemeral and imperfect beauty of natural materials and have forever collected buckets of shells, driftwood, beautiful leaves, bones, moss and feathers  with no particular purpose in mind.” Sounds delightfully familiar.  She saw a flyer for a basketry course in Mittagong and decided to join up because it fitted perfectly with her love of art made from nature. After another course she was well and truly hooked on the craft. Inspired by the work of Andy Goldsworthy, Herman de Vries, and Chris Drury, Harriet says that the wonderful thing about baskets is that “it’s possible to harvest your garden then sit on a patch of ground and, just with your hands alone, make something that’s strong, useful and beautiful – while knowing that women have done this for millenia”…

Harriet and her husband Mat collected all their furniture from the local tip shop and family hand-me-downs. The area where they live is surrounded by national parks, waterfalls, beaches, rainforests, and incredible escarpment and rolling green hills  – all within a 30km radius…

Meet Banjo: Harriet and Mat’s little guy who loves being in nature as much as they do.

It’s a beautiful, inspiring story, and I encourage you to find yourselves a copy of the february issue of country style to learn more about harriet’s home and work…

cover shot by mikkel vang, styled by sibella court.

Thank you for the inspiration Harriet! I hope to come and visit you one day, and see your creations in person.

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Harriet’s baskets are available to purchase. They start at around $140.00 AUD. For further enquiries, click here to email Harriet, or you can call her on +61 402 346 106.

A big thank you to Country Style and photographer Chris Chen for the use of the images.

For those of you who have been visiting the (blog)house from the early days, you may remember my little story about the first time I walked into ‘Tracey’s world’ as I like to call it, when I was propping in Sydney some years ago (here is the post). I’ve been wanting to visit Tracey in her new studio in Redfern ever since then, and last week I finally managed to do so. It really is a world of natural wonder, with exotic flora and found objects made into incredible pieces of art. Tracey continues to be a huge source of inspiration for me, her work stretches the imagination in the most sophisticated, yet simplest of ways. I took some photos while I was there, just for you, would you like to see them? Here you go…

Tracey’s studio is just around the corner from Baffi & Mo, that great cafe I featured a few weeks back. My suggestion would be to have some breakfast there and then wander over to Tracey’s (Studio GO1/59 Great Buckingham St, Redfern)…

Thank you Tracey! I can’t wait to see what you create next.

…to bid this landscape goodbye. While I write, the kookaburras are singing their last song for the day.

I will miss this country. again.

Next week I will be writing my posts from mon petit bateau in amsterdam. I have lots of posts to share with you that I haven’t had a chance to compose while here, so even though I’m leaving sydney, we haven’t seen the last of this landscape and its creative souls in the (blog)house just yet. Next week is going to be alot of fun. Until then, mes amis, enjoy the rest of your weekend.

xx

PS it has not stopped raining here in sydney all day. I had hope to enjoy one last swim in the ocean, one last walk through the bush, and blow one last kiss to the sun but alas, it’s not meant to be. The above photo is something ( I call it an ‘interpretation of the landscape’) I composed from a collection of botanical findings from my walks over the last 2 months. I will pin this photo up on my wall when I get back to amsterdam to remind me of the nature I so love.  À bientôt australia! tot ziens!

Last week in New York, ten of Wilson A Bentley (a.k.a the snowflake man)’s incredible snow crystal photographs  – which date back to the end of the 19th century  – went on sale at the American Antiques Show. The vintage images are breathtaking…

“Every crystal was a masterpiece of design, and no one design was ever repeated. When a snowflake melted, that design was forever lost” said Bentley back in 1925…

According to an article in The Guardian, Bentley’s interest with snow crystals began when he received a microscope for his 15th birthday: “He became spellbound by their beauty, complexity and endless variety” (it’s nice to know I’m not the only one obsessed with snow!).

“Bentley started trying to draw the flakes but the snow melted before he could finish. His parents eventually bought him a camera and he spent two years trying to capture images of the tiny, fleeting crystals. He caught falling snowflakes by standing in the doorway with a wooden tray as snowstorms passed over. The tray was painted black so he could see the crystals and transfer them delicately onto a glass slide. To study the snow crystals, Bentley rigged his bellows camera up to the microscope but found he could not reach the controls to bring them into focus. He overcame the problem through the imaginative use of wheels and cord.” (as quoted by Ian Sample, science correspondent for The Guardian, Thursday January 21, 2010)

The method of singling out a snowflake to photograph apparently hasn’t changed in all that time. “You basically let the crystal fall on something, black or dark-coloured, and then you have to pick it up with a toothpick or brush and put it on a glass slide,” says Kenneth Libbrecht, professor of physics and snowflake enthusiast.

Bentley’s snowflake photographs have inspired people all over the world for over a hundred years – quilters, photographers, jewelers, and artists of all kinds have been captivated by Bentley’s work. I, am now one of them.

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Extra tidbits:

+There is a museum dedicated to Bentley’s work at an old mill in his hometown in Vermont. It houses about 2,000 of his vintage images. I must go.

+I first found Bentley’s images and story at the ever lovely Pacha Design – please read sammy and glenn’s beautiful post(thank you again guys for such inspiration!)

+View and read the full telegraph article – there are 21 images which tell the beautiful story of snowflake bentley’s work.